Wednesday, 27 November 2013
Saturday, 23 November 2013
&
The second issue of Snow (ed Anthony Barnett) is out now containing material by George Oppen, John Hall, Peter Larkin, Sarah Kelly, JH Prynne and John Welch among others together with translations of work by Anne-Marie Albiach, Francis Ponge, Giuseppi Ungaretti and Osip Mandelstam. It’s not a regular publication though on the strength of the first two issues I’d hope it will be. Enquire at www.abar.net
Wednesday, 20 November 2013
these are a few of my favourite things
Two new magazines from the Canterbury area: the fabulously
designed ZONE (see www.zonepoetrymagazine.com) and Splinter (www.facebook.com/splintermag). A
few years back it was hard to imagine productions like these appearing in this
part of Kent. I used to think it was because of the proximity to London (big
bands tend not to play here either) but Canterbury is no closer to the Wen than
Brighton. Both mags have been out for a bit but will have launches soon.
Splinter’s is for a new issue and will be held in London at the Betsy Trotwood,
7.30 on Tuesday November 26; the ZONE reading will take place in
Canterbury at the Veg Box aka Free Range on November 29th (with readings and performances by Allen Fisher, Simon Smith, Sam Bailey and Juha Virtanen) at
7.30. There will be a further ZONE launch on December 12th in Keynes Lecture Theatre 5, University of Kent.
Monday, 18 November 2013
Saturday, 16 November 2013
John James
It
was a great pleasure to hear John James (above left, moderated by Simon Smith,
right) talk about his work at the University of Kent on Thursday afternoon and
then to read at the Veg Box aka Free Range Café in the evening after dinner at Café
Mauresque. Sometime in the seventies or early eighties I picked up a copy of
James’ Striking the Pavilion of Zero
(1975) at Collected Works bookshop in Melbourne. His Salt Collected Poems came out in 2002 and there have been subsequent
books like In Romsey Town (Equipage,
2011) and Cloud Breaking Sun
(Oystercatcher, 2012). The poems take on board the energies of popular culture
referencing various sources from The Who to Tricky: they’re alive and
negotiating with what’s around them sharply, precisely, without condescension.
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