On Saturday the July 11, 2009 I took part in a procession/exhibition of art objects by Amanda Welch departing from her studio and taking a route through the park at Hackney. This procession signalled the end of a week long display at the studio (as a procession the week before signalled its opening). The Many Press has now issued this attractive record of the exhibition and the two processions with extensive illustrations of the work. The sketches and structures from this project grew from a recording of bicycle trips through Hackney Downs and a desire to make space for the contingent at a time when, as Welch says ‘painting gave up on me’.
Wednesday, 30 January 2013
Amanda Welch's journey
On Saturday the July 11, 2009 I took part in a procession/exhibition of art objects by Amanda Welch departing from her studio and taking a route through the park at Hackney. This procession signalled the end of a week long display at the studio (as a procession the week before signalled its opening). The Many Press has now issued this attractive record of the exhibition and the two processions with extensive illustrations of the work. The sketches and structures from this project grew from a recording of bicycle trips through Hackney Downs and a desire to make space for the contingent at a time when, as Welch says ‘painting gave up on me’.
Thursday, 24 January 2013
Wednesday, 23 January 2013
John Forbes
John Forbes died fifteen years ago today. This photo was taken in his flat in Newtown, Sydney, in the 1980s.
Thursday, 17 January 2013
Wednesday, 16 January 2013
a visit, 1987
[In late 1987 I’d finished a reading tour
in the US and Canada with a couple of other Australian writers. I flew from
Toronto, via Chicago to Denver for a prearranged meeting with Edward Dorn.
Parts of the journal transcribed below were subsequently edited down and rewritten as a poem
called ‘West’. The poem first appeared in Mangroves
(University of Queensland Press, 2003) and subsequently in my Shearsman
selection Compared to What (2005). It
was in part picking up Dorn’s language, an imitation of sorts that became an elegy.]
5/11/1987 My
flight arrives in Denver around 8.30. Wait in the petrol atmosphere for the
Best Western courtesy bus. On board – a guy with iguanas in his bag. Check in
and phone Ed Dorn – he sounds good – and seems prepared to drive me around
tomorrow.
6/11 At
breakfast, a cowboy tells the cashier: ‘I'm pretty sure that's not the design
on my tie, I think I dribbled’. The
accents out here differ from the midwest twang and the place as a whole seems
slower, though no less businesslike. Planes and hotels full of guys selling
computers – ‘Where the biggest, baddest outfit in town is something called
storage technology’ [Tom Clark]. I get a
courtesy bus to the airport and a cheap RTD. into town. Buy my Amtrak ticket at
Union Station. It’s Friday after nine and the streets around the railroad
station seem deserted. Yet it’s here and in the inner suburbs where you get a
sense of what Neal Cassidy’s Denver must have been like. Within minutes I'm on
a bus for Boulder. It skirts the edge of the city – a wasteland of metal
bridges and factories. The bus approaches the Rockies. Along the way a sign
tells me what Tom Clark was on about: STORAGE TEK. Behind it, in the smooth fawn
hills, rows of bunker-like structures.
Into Boulder (about 30 miles out of
Denver). The University of Colorado with its uniform coloured bricks and curved
Mediterranean tiles, then the bus depot, where I phone Dorn and he comes to
pick me up. We go back to the house where I meet Jennifer D. Have some coffee.
Then we drive to the printing press where Rolling
Stock, the magazine they edit, is in production (the 14th issue).
It has a print run of 3000 and around that many copies are thrown away in the
process of getting the registers right before the actual run can begin. Two of
the other guys involved turn up – and the staff staple and trim a handful of
copies for our perusal. Ed and Jenny drive me to the motel where I leave most
of my gear, then we rejoin the others at a bar downtown to celebrate the new
issue. Drink Watneys beer. Then I go back with E and J to their house – meet
their son and daughter (who plays electric guitar in a band). Jenny goes to buy
fish and Ed and I go to a huge wine shop where I buy a bottle of Napa Valley white.
Another friend from U. Col, Sidney Goldfarb, calls in and stays for dinner. He
looks at The Ash Range and says he's
keen to read a long poem which isn’t on any course. For dinner – a soup, trout
with vegetables and salad, and a dessert ice-cream cake which the Dorn’s son
made. Jenny. is writing about Dean Reed, a singing Marxist cowboy from out this
way who was killed in East Germany a few years back, and has a few wonderful
related items including a college year book from 1956 which is pure American Graffiti. I'm fading so Ed
drives me back to the motel. He is going to phone Tom Clark and set up a
meeting. Clark is at present writing a biography of Olson, but is being
hampered all the way by the guardians of the faith i.e. George Butterick (and
even, sadly, Creeley) because he's not into hagiography.
7/11 Motel
rooms can have all the ‘homely’ aspects in the world, but you can never quite
belong in them. The furniture suggests uses it will never have, the utilities
are, like the politesse of waiters, threats of extortion. I walk up Pearl
Street in the cool air, the mountains within touching distance over to my left.
Find a yuppie shopping mall (everything wooden) and stop off for coffee in a
place with Indian corn and orange pumpkins in the window. Keep walking up the
mall. Pinball palaces under the Rockies. Get a bus timetable, then find another
breakfast joint – this time a patisserie. The main street is vacuum clean. I
phone the Dorns and get the address and directions from their daughter, Mia.
Walk up the hill and check in. Coffee and a sandwich – then Ed drives me up to
a lookout behind the town. We walk from the car up a stretch of closed road
till there's a view west across a canyon to the first of the steeper ranges –
the Rockies proper – covered with snow. Then we look back out over Boulder and
walk back with the 60° angle of the Flatirons ahead. Drive around through the
edge of town and up Table Mesa (a case of tautology) where there’s a large
modern installation which tests ‘atmosphere conditions’, monitors winds &c
and is dimly connected to star wars. We pick up my Martial MS., and go to a bar
in a big old hotel. Ed (and later Jenny) look over the Martial and like it a
lot. They want to take some for Rolling
Stock – also suggest that if I want to write an article from Australia.
they'd be interested [the article appeared in the next issue in 1988, along
with some of the Martial poems – attributed to Catullus]. Dinner is good – an
Indian chicken dish with rice and cucumbers in yoghurt, and the wine I've
picked up (another Zinfandel) is pretty good also. Stan Brakhage rings up and
talks to Jenny about his marital problems and the grim business of teaching.
Jane Brakhage has been writing for Rolling
Stock and lives in a car. They’ve been apart about a couple of months after
20 or so years and Stan is having an inconclusive sounding affair with a young
student. While we were out Anne Waldman had called. Ed phones her back and asks
if she wants to go for a drink but she has already gone to bed. After
photocopying some Martial we go to a bar in a Mexican restaurant where – as
everywhere else in town – the 16 year olds are trying to get drunk. Then E and
J drive me back to the motel.
8/11 I
go down 28th for breakfast at the LA. (Last American) Diner – a chromium
masterpiece with waiters and waitresses on roller skates. It’s a fine clear
day. Write a postcard, pack and walk up to the bus terminus on 14th and
Walnut. En route for Denver, notice that last night gave the front range
(beyond the foothills) a coat of snow. In Denver get a cab to the Regency Best
Western. My room, on the 10th floor, looks over industrial waste –
the South Platte River buried in there somewhere and probably a putrid creek at
this elevation – and out to the west and southwest, the Rockies. In the last 20
years the town known to Kerouac et al. has been swallowed by microchip Denver.
All of its tall buildings date from this period. And a whole lot of them are
half-empty – the big boom predicted didn't materialize. But the place has
pretensions and sees itself as one of the five or six most-likely-to-go-ahead
places. The charm resides in Denver’s failure to measure up. Across the tracks,
across the river, Denver goes Mexican. It seems that what Ed says about Chicago
would hold here: that unlike NY or LA, to be poor doesn’t necessarily mean one
should lose all self-respect..
Downstairs in the Stuff’d Shirt Bar – the
T.V.news. Provinciality is measured by the degree to which role models – TV
announcers &c – approximate to the metropolitan ideal: the accent mightn’t
have the same sharpness; the fashions date a little – but a straining towards
the model is always perceptible. The ‘cast of thousands’ common to contemporary
news programs complete each other’s sentences – as though ‘personality’
existed. The languages of America are seductive. This journal succumbs, aware
and joyous in its slide. It’s a pleasure. But maybe it’s more so because it
comprehends a limited duration.
The prevalence here of cowboy hats.
And the stretching of vowels: ‘The house
shar-blee.’
Someone asks for a doggy bag for drinks.
I think I like the west a lot (‘west’ not
including the Pacific Coast).
One for the room.
The barman answers the phone: ‘Stuffed
Shirt?’
9/11 The
cab driver into Union Station is a WW2 vet who reckons he has a CIA. file an
arm long since he'd participated in anti-Vietnam activities. He figures that
Reagan has been dead for some time and what we have up there is some kind of
robot. He used to be a postmaster but since Vietnam he's been driving cabs. A
nice guy.
Union Station is filled with railroad
memorabilia – the rail, ceasing to be functional, becomes an ‘experience’.
‘You must have shoes on at all times while
travelling in the train.’
The chief steward is called ‘Noel, that’s
K.N.O.W.E.L.L . . . I wear my Amtrak identification badge over my heart – where
it should be . . . and I walk numinously down the train.’ As the journey progresses,
Noel turns out to be a pain in the ass. He recites geological litanies in
third-grade dialect – and in the evening there’s a quiz. Somewhere behind me in
the compartment, a 22 year old woman and an old man discuss human nature
endlessly. Up front, a harassed looking young woman and a rather boring
moustachioed gent – the woman constantly being calmed down by a wonderful
stewardess who is a mountain of good sense.
The train winds up the foothills and
crosses the continental divide 9,500 feet up, in the Moffat Tunnel. The lounge
car staff are officious (one spills my soup over the table and doesn’t give a
refill). I share a table with two old gays who are charming, quiet spoken
old-style San Franciscans. One later notices me reading Timothy Findley and
recommends Robertson Davies. In the evening, cross into Utah, through Ruby
Canyon. I dine with a young gay from Salt Lake City (‘Are there many gay people
in Australia?’) who spills his salad dressing; and a good humoured black woman
from Cleveland. When he describes life in Salt Lake, its restrictive liquor
laws &c. then talks of the large size of Mormon families, she says ‘At
least they’re doin somethin right’. Salt Lake Station at around 11 p.m.
mountain time is a monument to cleanliness – even the smokestacks have been
polished. Don't think I’d like it there much.
two interviews
Also
just out from Shearsman, concurrent with a US edition of Edward Dorn’s Charles Olson
Memorial Lectures, is Two Interviews (ed. Gavin Selerie and Justin Katko). The
first interview, conducted in Vancouver in 1971 by a group of people finds Dorn
in two minds about his Fulcrum volume The North Atlantic Turbine; it is both an
important book and one he feels he will never read (or read from) again. Partly
this is because the book seems (to Dorn in 1971) to be made of ‘parts of a
verse practice which was ending’. External noise at the venue and occasionally
muffled sound made this tape impossible to transcribe without gaps but it is
contentious enough to be worth reading. Gavin Selerie’s interview recorded a
decade later sees Dorn reflecting on his period teaching in England and is
altogether a more considered outing. The book also contains some hitherto
unpublished pieces by Dorn. It’s a big bang for a small book. Katko’s general
introduction notes the unusual instance of Dorn’s Collected coming out with a
British publisher (Carcanet). Dorn himself seems to have picked up a great deal
from the scene here but that hardly explains a seeming lack of interest by
publishers at the other end.
alphabet soup
The
first Blue Bus reading for the year was well attended. Unfortunately Frances
Presley was unwell and couldn’t attend the launch of An Alphabet for Alina. Artist/collaborator Peterjon Skelt (above left) and Gavin
Selerie (centre right) read from the work, a high quality production from Five Seasons Press.
Geraldine Monk (right) celebrated her sixtieth, reading early work from the mid-1970s
through to Sky Scrapers (a sequence appearing
in her Salt Selected Poems, then reissued
as a single volume in 2010 by Fewer and Further Press).
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